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MA C168 Digital Cinematography
CATALOG COURSE DESCRIPTION
This is a course in digital cinema planning and production through
hands-on experience. Course topics include digital cinema as a distinct
form of artistic expression; an investigation of the aesthetic,
technological, economic, and social factors that contributed to the
evolution of digital cinema; logistics, scriptwriting, sound recording,
film and sound editing; and methods by which the visual and aural elements
may be organized. The roles and responsibilities of the digital cinema
producer will be examined, including; skills and knowledge required in
developing, budgeting, managing, producing, and distributing programs.
COURSE OBJECTIVES
Upon completing this course, the student will:
- Examine and categorize the significant events in the development of
digital cinema.
- Evaluate commercial digital cinematography, addressing; social
content, historical significance and artistic technique.
- Compare the foundations of creative writing, character development,
stage direction, performance direction, set design, set lighting, camera
technique, and sound design.
- Visualize and implement a digital cinema storyboard that visually
depicts the plot and determines the art style of the film.
- Visualize, plan, edit and produce a digital film.
- Plan and implement the distribution of a digital program.
DETAILED TOPICAL OUTLINE
- Digital Cinematography
- Language of Film
- Aesthetics
- Film Genres
- Film Noir
- Horror
- Cartoons and Comedy
- Cinema Verite
- Production Processes
- Pre-Production
- Concept and Script Development
- Storyboarding
- Production, Planning and Management
- Proposals and Budgets
- Lighting
- Instruments
- Positions
- Motivated Lighting
- Modifiers
- Special Effects
- Interior
- Natural Light
- Artificial Light
- Mixed Light
- Exterior
- Daytime
- Nighttime
- Outer Space
- Water
- Camera
- Lenses
- Placement
- Angle
- Roll
- Depth of Field
- Motion
- Camera Movements
- Animating Lights
- Characters
- Lighting
- Framing
- Color
- Chroma Scheme
- Time of Day
- Mood
- Production and Distribution
READINGS
Digital Cinematography by Ben de Leeuw, Academic Press.
ASSIGNMENTS
- Reading Assignments: The text book reading assignments will be
discussed in class in order to assist the student in developing a
sequential theoretical understanding of the techniques and processes
required to accomplish the computer based laboratory assignments.
- Typical Writing Assignments: Write a short digital cinema
concept treatment, write a short script, and write a critique of a
commercial production.
- Typical Outside Assignments: Draw character and layout
storyboard sketches, research current trends in the industry, or visit a
production studio and observe the processes of filmmaking.
TYPICAL EVALUATION AND GRADING SCALE
Students will be evaluated based on planning projects, digital cinema
projects, written quizzes, and a written exam. In order to achieve a grade
of "C" in this course, the student must complete all assigned projects.
Typical evaluation criteria may include: Planning Project 10% Digital Cinema Production 60% Quizzes 20% Final Exam. 10% Total 100 %
A typical grading scale is: 90-100% A 80-89% B 70-79% C 60-69% D 0-59% F
6.23.2003
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Course at a
Glance |
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COURSE NUMBER
MA C168
COURSE TITLE
Digital Cinematography
UNITS
3
TOTAL HOURS
90 total
36 lecture/54 lab
TRANSFERABILITY
A/CSU
ADVISORY
MA 127, MA 163, MA 130 or the equivalent skills are required.
REPEATABILITY
2 times |
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NOTICE
The course outlines contained in this site are representative of the content
taught in each course. Individual instructor outlines may vary.
Textbooks listed on this page are subject to change.
Please check with the instructor or with the college
BookNook for up-to-date
information about current textbooks used. |
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